Before the war, women never did any work except for in the houses and lived a traditional lifestyle with traditional attitudes.
But in course of time Tony got fixed down to one in particular, Milly Richards — a nice, light, small, tender little thing; and it was soon said that they were engaged to be married. One Saturday he had been to market to do business for his father, and was driving home the wagon in the afternoon.
As soon as Tony came up to her she said, "My dear Tony, will you give me a lift home? In what is she better than I? Now tell the truth to me. Now look at me. He let his eyes light upon her for a long while. It will all be done in a minute. To ride back with me, did you say, dear Milly?
What can I do else? I was thinking you might be going on to town to meet your mother. She came across the fields, and so got back before you.
And there was no help for it but to take her up beside him. They talked on very pleasantly, and looked at the trees and beasts and birds and insects, and at the plowmen at work in the fields, till presently who should they see looking out of the upper window of a house that stood beside the road they were following but Hannah Jolliver, another young beauty of the place at that time, and the very first woman that Tony had fallen in love with — before Milly and before Unity, in fact the one that he had almost arranged to marry instead of Milly.
Now, Milly, would you do me a favor — my coming wife, as I may say? So they drove on till they got near the road-side cottage. Hannah had soon seen him coming, and waited at the window, looking down upon him.
She tossed her head a little disdainful and smiled off-hand. What was I thinking of? I have only called to see her on my way home.
How can you be so stupid, Tony?
He drove on again, his face as long as a face that was a round one by nature well could be. Hannah looked round sideways into his eyes. So they sat a little closer and closer, their feet upon the foot-board and their shoulders touching, and Tony thought over and over again how handsome Hannah was.
He spoke tenderer and tenderer, and called her "dear Hannah" in a whisper at last. How low you talk, Tony. I said, not exactly. He wondered how he could have been such a fool as not to follow up Hannah. Well, now, to be quite honest, dear Tony, do you like her better than me?
At this there was a real squeak — an angry, spiteful squeak, and afterwards a long moan, as if something had broke its heart, and a movement of the wagon cloth. Be you going to market next Saturday? How is your aunt now? But he found his work cut out for him, and wondering again how he should get out of this ticklish business, he looked about for a chance.
Nearing home he saw his father in a field not far off, holding up his hand as if he wished to speak to Tony. He found that his father was looking at him with rather a stern eye. Unity Sallet is there, too — yes, under the other end of the tarpaulin. Now, which would you marry, father, if you was in my place?
But look at that!
Without another word, Tony rushed away from his father to overtake the horse. No; it could not be Milly, after all.Compare and contrast Tony Kytes, the arch deceiver by Thomas Hardy and Turned by Charlotte Perkins Gilman.
Tony Kytes the arch deceiver and Turned both explore the theme of deception, although they both treat it differently.
Tony Kytes, the arch deceiver essaysTHOMAS HARDY & THERESA TOMLINSON RAISE SIMILAR ISSUES BUT IN DIFFERENT WAYS. A study of. "Tony Kytes, The Arch-Deceiver" was written in , pre-first world war.
"Tickets, Please" was written in , post first world war.
I am going to discuss how what happened between these years has affected how the stories have been told. - A Comparison Between Tony Kytes, The Arch Deceiver by Thomas Hardy and The Seduction by Eileen McAuly "Tony Kytes the Arch Deceiver" is a hilarious story of an afternoon when Tony was driving home from the market in his wagon.
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